![]() ![]() Indeed, there is an air of mistrust and danger with everyone James encounters. This aura of suspicion is especially present when meeting new characters. Quite a few scenes take place in a basement: a physical representation of buried secrets and isolated behavior. However, the date seems to haunt him when in his support group he scratches at his tattoo as if its presence irritates him.Īside from the lead’s ability to portray the character’s struggles, the various locations also create a setting of secrecy. On his inner wrist, James permanently inked the day he lost his wife. James attempts to ask a fellow sufferer ( Jennifer Jelsema) a question, but distances himself from the woman and the answer. To demonstrate his inability to accept his loss, we see James attending a support group for people who lost a loved one. He limits his dialogue, but still explains so much about his feelings and failing mental stability with his actions and expressions. The actor does well emoting with his face alone an important skill considering he spends most of the film staring at a screen or a person and not actually interacting with anyone. Shum’s previous career on screen mostly involved singing pop songs and dancing, but nothing of this role resembles his Glee days. ![]() Set in Chicago 1999, Harry Shum Jr plays James, a man who surrounds himself with electronic equipment and prefers recorded images of people over the real thing. Broadcast presents some strong re-playability because the unraveling story makes the viewer second guess previously established facts and relationships. At first, the dream might seem just a reflection of a guilty conscience but after a second watch it will make you rethink the whole film. Turning, the woman wears a white mask, which startles the man into waking from his dream. The man films the woman with a video recorder but stops when he seems to sense something strange. The woman walks to the tree line with her back to the audience. Starting with a curious sequence, we see a man and a woman spending time together in a park. The opening scene creates an enigmatic tone for the film as immediately the viewer struggles to understand the difference between a memory, a recording, or a dream. ![]() The film never touts the claim of “inspired by real events” or a similar tagline but knowing about the inspiration for the movie definitely makes for a more enjoyable viewing experience. On Reddit and several other forums, the Max Headroom Incident still holds a strong pulse and helped lay the groundwork for Jacob Gentry’s Broadcast Signal Intrusion, which just had its World Premiere at SXSW Film Festival. The case never died for online conspiracy theorists, however. Despite a long investigation, the intrusion eventually became a cold case. During an airing of Doctor Who on a Chicago station, a man wearing a Max Headroom mask appeared for about 20 seconds in which he spoke in a distorted voice. The video pirate eventually got caught, but the following year investigators faced an even more curious foe. In 1986, an HBO broadcast of The Falcon and The Snowman was interrupted with a typed message from Captain Midnight complaining about the monthly price of the premium channel and threatening Showtime and the Movie Channel. A couple notable intrusions occurred in the ‘80s: Captain Midnight and the Max Headroom Incident. While frequently used by evil geniuses and supervillains in classic tv shows and comic books, real-life intrusions occur much more rarely. A broadcast signal intrusion is a cultural phenomenon in which someone hijacks a radio or tv transmission with the intention of playing some kind of message. However, some people find a way to disrupt the airwaves with a Broadcast Signal Intrusion. ![]()
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